In other exciting news I have already bought tickets for, or identified, enough shows to get me to 51 shows for the year leaving me 1 scant show shy of my 52 shows for the year, but I imagine that I'll be able to pick-up that one show. But back to our count down, or count up?
#29 - Buyer and Cellar
This was a funny, cute and ultimately irrelevant fantasy tale that takes place in an actual place, Barbara Streisand's basement. Apparently Ms. Streisand's basement is designed to to look like a shopping mall and all her "overflow" items are stored like they're on sale. That in itself is a ridiculous enough concept; but they pile on more by inserting our guide through Bab's Basement, an erstwhile actor who has been hired to "work" in her basement. There really is no plot, it's a fun little jaunt through Mrs. Brolin's career and personality quirks. It helps if you know your Bab's lore and as I do I laughed often throughout the show and promptly forgot about the show once I left.
#30 - Private Lives
This show I loved! I, not so secretly, want to be witty and urbane in a nonchalant manner; okay wealthy wouldn't be too bad either. The story revolves around a divorced couple who meet again after several years by sheer coincidence (some would say fate) on the night of their respective honeymoons to their new spouses. Almost immediately their tempestuous attraction to each other is reignited and they with nary a backward glace run away to Paris together. Halfway through the show I began wondering why the lead characters seemed so familiar, then I realized this is Benedict and Beatrice (Much Ado About Nothing) the later years. The story of two stubborn passionate people who love each other so entirely that the only thing worse than being together is being apart. Two quotes some immediately to mind, "Thou and I are too wise to woo peaceably" and "If they were but a week married, they would talk themselves mad." Those two quotes most aptly describe these two characters who are too well matched in wit and in temperament to be together but too much in love with each other to be a part. It was just a delightful evening of theater.
#31 - Stupid F#@!ing Bird
This was one of Woolly Mammoths most touted show last year so I bit the bullet and decided to go see what the big deal was. The play is a modernization of Checkov's "The Seagull." Of course my first thought was hasn't this been done? I'm thinking specifically of last years "Sonia, Masha, Vanya and Spike" which played on Broadway. But having seen Checkov performed straight I'm all for modernization. It was a funny and enjoyable and well performed and as required in a Russian play someone dies needlessly. I'm actually really looking forward to the a fore mentioned "Sonia, Masha..." at Arena Stage later this season.