Synetic Theater first show of their 2014-15 season is right in their wheel house, H.G. Wells’ “The Island of Dr. Moreau.” What had me really excited about this show was the return of Paata Tsikurishvili to the stage. It’s been years since I’ve seen him on stage, I think I have to go all the way back to Macbeth. And I swear any day now I’m going to learn to spell his last name without looking it up (I came really close this time.) But I digress, The Island of Dr. Moreau, the tale of an “evil” scientist that has created his own race of man-(and woman-)beasts is just the type of gothic material that Synetic excels at producing. I put “evil” in quotes because Dr. Moreau is not evil scientist in the death ray/rule the world kind of way; he’s more of the sociopath who thinks he is misunderstood and his real aim is to benefit the greater good; therefore the ends justifies the means. His goal is to make a better man and to achieve that end he experiments on animals, the idea being that if he can get simple beasts to act civilized, and to put aside their base instincts for violence, then the same can theory can be applied to mankind in general. Dr. Moreau personifies the constant struggle to balance the ends achieved with the methods used and (similar to Synetic’s recent production of “Jekyll and Hyde”) it explores finding a better or at least faster way for humans to evolve away from our baser nature.
It is no secret that I prefer Synetic silent productions, but their speaking production have improved significantly in recent history and while I enjoyed this show it is not one of their stronger performances. The production felt a bit formulaic, it’s a similar pattern that they’ve repeated several times, there is a back and forth between the spoken section of the show and the movement based but not rally a cohesion between the two. I would like to see a more fluid transition and perhaps even see more choreography with in the spoken section of the performance. The stylized nature of Synetic’s work is their strong suite. Last years production of The Three Musketeers is a good example, that show had a much better integration between the two mediums.
Having said that, I thoroughly enjoyed watching Mr. Tsikurishvili prowl the stage as our quite mad yet oddly likable Dr. Moreau. He portrayed Moreau with the empirical callousness of a scientist towards his subjects, they are just his lab rats, yet there is an under tone of affection for his creations, when they do well he is proud and it’s all neatly tied together with a massive God complex. He can fix the world, just give him a little time and a whole lot of ethical leeway. Dallas Toletino as Moreau’s equally sociopathic assistant give the best performance I’ve seen to date, apparently drunken brain eater may be a nice niche for him, it was a wonderfully eerie performance.
The show plays through the end of the month for those looking for a little Halloween-y creepiness to enjoy.